![]() He believes in the human soul's moral responsibility. ![]() ![]() Sin/Transgression 5: Razumihin argues against modern notions that crime is only an expression of revolt against the environment. ![]() Ordinary men, however, are punished by their consciences. In his theory, extraordinary men are above such feelings. Sin/Transgression 4: Raskolnikov begins to think that his reason and will are failing him, a sure sign that he is not beyond the guilt of his conscience. He kills an innocent person in order to accomplish his plan. Raskolnikov has justifications for killing the old woman, but the murder of Lizaveta is unplanned and unjustified. Sin/Transgression 3: Raskolnikov finally crosses the line between theorizing about the murder and actually going through with it. He feels like a man condemned to death-some force within him is making him go through with the murder. Sin/Transgression 2: Upon hearing by chance that Lizaveta would be away the net day at a certain time, Raskolnikov feels that the decision has already been made for him. Marmelodov hopes that Christ will forgive all sinners, especially those who consider themselves unworthy of such grace and mercy. Sin/Transgression 1: Marmelodov readily acknowledges his sin and shame, but he pleads for the forgiveness of Sonia's sin, which, he believes, is highly forgivable because it is motivated by love. Crime and Punishment Topic Tracking: Sin/Transgression ![]()
0 Comments
Leave a Reply. |